Sarah O'Neill's Ilmington Notes

Dance Notes For Ilmington

Last Update 6th March 1996

Table Of Contents

  1. Disclaimer and Copyright
  2. Definitions
    1. General
    2. Stepping
  3. General Sequence
  4. Hey
  5. Arm Movements
    1. Hanky
    2. Stick
  6. Figures
    1. Coming In
    2. Foot Up and Across
    3. Half Gyp
    4. Back to Back
    5. Cross and Turn
    6. Rounds
  7. Dances
    1. Molly Oxford (hanky)
    2. Shepherd's Hey (hanky)
    3. Maid of The Mill (hanky)
    4. Cuckoo's Nest (stick)
    5. Constant Billy (stick)
  8. Document Navigation

Disclaimer and Copyright

These notes record the way I teach this tradition. They are my interpretation of the 'Black Book' and how I was in turn taught them. I do not claim that this is the way the tradition was, is or should be danced only that this is the way I choose to dance it.

© 1996, Copyright by Sarah O'Neill, Chartridge, England. Permission is hereby granted to copy this work or to incorporate it in another work provided that it is not changed, no charge other than for the cost of reproduction is made for the copy or combined work and this copyright notice is included on the copy or in the combined work.

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Definitions

General

Set Positions and Numbering
The set is numbered from the squire position (1) as follows:
              Top
      Squire        Bag
       side         side

         1           2       (Tops)

         3           4       (Middles)

         5           6       (Bottoms)
             Bottom
Leading Foot
The foot in the direction of intended movement.

Up Foot
When facing across the set the foot nearest the top of the set.

Down Foot
When facing across the set the foot nearest the bottom of the set.

Outside Foot
When facing up or down the set the foot on the outside of the set, e.g. when facing up squire side left foot, bag side right foot. When facing across the set the outside foot in relation to your partner, e.g. left foot when passing right shoulders, right foot when passing left shoulders.

Inside Foot
When facing up or down the set the foot on the inside of the set, e.g. when facing up squire side right foot, bag side left foot.

Turn Up and Out
Squire side turn left, bag side turn right.

Turn Down and Out
Squire side turn right, bag side turn left.

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Stepping

Start Foot
The foot that is first stepped onto.

Single Step
Step from one foot to the other and then hop on the new foot. One single step is therefore a step and hop.

Double Step
Step from one foot to the other 3 times, then hop e.g. left, right, left, hop, this equals one double step.

Open Side Step
Step sideways with leading foot, with other foot kicking up behind the leading foot.

Caper
A slow, high jump from one foot to the other.

Feet Together Jump
Bringing both feet together, jump from both feet and land on both feet.

Feint Step
A preparatory step used to move from standing to stepping, e.g between a feet together jump and a double step. It is a hop on the other foot to the start foot and occurs a fraction before the start step.

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General Sequence

Ilmington is an outside foot tradition, meaning you start each figure on your outside foot. Ilmington dances generally follow a sequence of a jump to start, feint step, 2 double steps, 2 single steps and a feet together jump.

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Hey

First half: Everyone start on down foot.

Tops (1 & 2) Middles (3 & 4) Bottoms (5 & 6)
First Double Step Move towards each other and staying close together go down the set, once past middle position start to move out On the first step move backwards and face towards top position, on the next 2 steps and hop move forwards to end up in top position facing up (shoulder to shoulder with partner) On the first step move towards partner, turn down and out, on the spot, to end up facing up the set (shoulder to shoulder with partner)
Second Double Step Continue moving out (to let bottoms through) and in to face each other in bottom position (you should be quite close) Turn outwards, on the spot, to end up facing down the set on the hop (still shoulder to shoulder) Staying close together, come up the middle of the set, when just past the middle position start to move out
Two Single Steps Turn down and out, on the spot, but also move slightly backwards into bottom position Keeping together go down the set and back to middle position Continue moving out (to let middles through) and into top position
Feet Together Jump Feet Together Jump in place Feet Together Jump in place Feet Together Jump in place

Second half: Everyone start on up foot and repeat sequence, with:

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Arm Movements

Hanky

On the jump at the start of the dance bring arms up (elbows slightly bent), with hands at waist level, but wide of the body.

Arms come down by your side on the 1st and 2nd steps of the double step and come up, with hands at waist level and wide of the body, on the 3rd step and hop of the double step. It is a relaxed even movement. On the 1st single step and hop the arms come down, out and up, describing a small semi-circle. On the 2nd single step the arms come in (at waist level) in front of the body, on the step and out on the hop. They go down, out and up, describing a small semi-circle on the feet together and continue moving up on the jump to the start position.

At the end of the rounds, on the 3 capers, low twists with both arms (left anti- clockwise right clockwise) outward circles away from the body. When landing on both feet, after the final caper, bring both arms swiftly above head to end the dance.

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Stick

On the jump at the start of the dance clash with partner. Bag side presents stick, squire side clashes.

Sticks are held in the right hand, generally in the middle, with both arms following all of the arm movements described above. In stick dances when there is a feet together jump it is normally accompanied by a clash.

Rounds: On the feet together jump of the preceding hey and when halfway round the set clash in the air not with partner. At the end of the rounds on the 1st caper bring stick down and keep it down for the next 2 capers. When landing on both feet, after the final caper, raise stick to clash with partner (across the set) to end the dance.

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Figures

All Ilmington dances have common figures and arm movements as described above. The figures are as follows:

Coming In

Start facing across the set, jump landing on both feet to face up the set.

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Foot Up and Across

Starting on outside foot, 2 double steps on the spot, turn out of the set on 2 single steps (describing a small circle) and feet together jump to face across the set. Starting on down foot, foot across 2 double steps, 2 single steps, feet together jump all on the spot.

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Half Gyp

Starting left foot, passing right shoulders, 1st double step to get across the set, slightly to the left of where your partner was standing, 2nd double step on the spot, 2 single steps to turn left back to place, feet together jump in place. Second half is the reverse of above, start right foot, pass left shoulders and turn right on the single steps.

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Back to Back

Starting left foot, passing right shoulders, 1st double step to get across the set, slightly to the left of where your partner was standing, 2nd double step move to the right to pass back to back with partner, 2 single steps to turn left back to place, feet together jump in place. Second half is the reverse of above, start right foot, pass left shoulders and turn right on the single steps.

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Cross and Turn

Starting left foot, passing right shoulders, 1st double step to get across the set, slightly to the left of where your partner was standing, on the hop of the 1st double step everyone turn right, (squire side down, bag side up), 2nd double step on the spot (facing up or down set). Then 2 single steps to turn out of the set, on the spot (everyone turns left) to end up facing across the set. Second half is the reverse of above, start right foot, pass left shoulders, turn left, (still squire side down, bag side up), single steps to turn out (everyone turns right).

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Rounds

On the feet together jump of the preceding hey everyone turns right to form a circle facing clockwise. Numbers 1,2,5 & 6 jump out on the spot, the middles 3 & 4 should jump further out to form the circle. Starting left foot use 2 double steps to travel halfway round set to opposite corner's position, 2 single steps to reform the set, feet together jump to turn right again and reform the circle still facing clockwise. Starting left foot again 2 double steps to travel back to home position, 3 capers to reform the set landing feet together (facing across the set) to end the dance.

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Dances

Molly Oxford (hanky)

Chorus

Open side step left, right, half hey, open side step right, left, half hey.

Open Side Step Left, Right
Starting with leading foot 4 open side steps to the left, hop on the leading foot, 2 open side steps right, feet together jump in place.

First Half Hey
See 'HEY' above.

Open Side Step Right, Left
Starting with leading foot 4 open side steps right, hop on the leading foot, 2 open side steps left, feet together jump in place.

Second Half Hey
See 'HEY' above.

Arm Movements
For open side steps head height twists anti-clockwise (as if brushing hair back), left arm doing the twists when travelling left, right arm doing the twists when travelling right, the free arm remains by side. For the hey normal Ilmington arm movements as described above.

Order of Dance

  • Face across set, come in with a jump to face up the set
  • Foot Up and Across
  • Chorus (open side steps left, right, half hey, open side steps right, left, half hey)
  • Half Gyp
  • Chorus
  • Back to Back
  • Chorus
  • Cross and Turn
  • Chorus
  • Rounds
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    Shepherd's Hey (hanky)

    Chorus

    Hand-clapping, half hey, hand-clapping, half hey.

    Hand-clapping
    Clap hands in front of body, raise right knee and strike with right hand, clap right hands with partner. Clap hands in front of body, raise left knee and strike with left hand, clap left hands with partner. Clap hands in front of body, clap under right knee, clap hands in front of body, clap under left knee. Clap hands in front of body, behind body and both hands with partner.

    First Half Hey
    See 'HEY' above.

    Hand-clapping
    Repeat above sequence.

    Second Half Hey
    See 'HEY' above.

    Arm Movements
    Normal Ilmington arm movements as described above.

    Order of Dance

  • Face across the set, come in with a jump to face up the set
  • Foot Up and Across
  • Chorus (hand-clapping, half hey, hand-clapping, half hey)
  • Half Gyp
  • Chorus
  • Back to Back
  • Chorus
  • Cross and Turn
  • Chorus
  • Rounds
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    Maid of The Mill (hanky)

    Partners are linked by knotted hankies, held by inside hand when facing up the set, squire side right, bag side left. Hold hankies at head height, arm bent at elbow, upper arm forming a right angle. Keep hankies as taut as possible throughout the dance, moving arm across face when necessary.

    Chorus

    Spin, half hey, spin, half hey.

    Spin
    2 circles on the spot turning up and out of the set. First circle, starting inside foot, 4 single steps with the hand holding the hanky sweeping down vigorously on the 1st single step and up on the hop and then turn under your own arm while completing the circle. The second circle is 2 single steps and a feet together jump. Again the hand does a sweep on the 1st single step, up on the hop and turn under arm on the feet together jump to complete the circle.

    First Half Hey
    See 'HEY' above. Normal hey, but because you are joined by hankies you need to 'dip and dive'. When going down or coming up the set, from either end, always go under first. ENDS UNDER FIRST.

    Spin
    Repeat sequence as above.

    Second Half Hey
    See 'HEY' above.

    The Knot

    Replaces the second half hey prior to the rounds. Remember the set will be inverted, 1 & 2 will be at the bottom, 5 & 6 will be at the top.

    On the preceding feet together jump squire side face up with middle position facing down and bag side face down with middle position facing up. Alternatively, middles turn right everyone else turn left on the jump.

    Everyone left foot start

    1 & 6 3 & 4 5 & 2
    First Double Step 1 over 3
    6 under 4
    3 under 1
    4 over 6
    Turn out on the spot to end facing middle position
    Second Double Step 1 under 5
    6 over 2
    Turn out on the spot to end facing middle position 2 under 6 5 over 1
    Two Single Steps Turn out on the spot to end facing middle position 3 over 5
    4 under 2
    2 over 4
    5 under 3

    Everyone feet together jump turning the easy way to form a circle facing clockwise.

    Rounds

    Starting outside foot both times, 2 double steps, 2 single steps, on the feet together jump turn left to go anti-clockwise. 2 double steps and finish with 3 capers facing in, landing feet together and holding the knot high. To undo knot bag side let go.

    Points to remember for 'The knot'

    1. On the preceding feet together jump squire side face up, middle person down, bag side face down, middle person up. Alternately, middles turn right, everyone else turn left on the jump.
    2. Everyone left foot start.
    3. Squire side always over on ends, bag side always under on ends.
    4. Keep the set in a rectangle.
    5. There are three distinct movements, 2 changes and a turn on the spot:
    6. Only form a circle when jumping into the rounds.

    Arm Movements

    Hankies held taut at all times, turning under arm in figures, free arm remains loosely by side throughout.

    Order of Dance

  • Face across set, come in with a jump to face up the set
  • Foot Up and Across
  • Chorus (spin,half hey, spin, half hey)
  • Half Gyp
  • Chorus
  • Back to Back
  • Chorus
  • Cross and Turn
  • Chorus N.B. knot replaces second half hey
  • Rounds
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    Cuckoo's Nest (stick)

    Chorus

    Sticking, half hey, sticking, half hey.

    Sticking
    To present stick left hand grasps left end (over-hand hold), right hand slides to the right end of the stick (under-hand hold). Hold stick out in front, at chin level, arms slightly bent (where two people are differing heights the taller person should come down to chin level of the shorter person)! Two hand hold for clash, left hand grasps left end, right hand slides down. Bag side presents stick first time, squire side clashes 3 times, then swap over, squire side presents and bag side clashes 3 times. Then strike butts and tips alternately 4 times ending with a forceful strike of tips.

    Feet- Starting with up foot 3 heel taps, change to down foot 3 heel taps, staying on down foot 4 single steps which leaves down foot in the air ready for the hey.

    First Half Hey
    See 'HEY' above

    Sticking
    Repeat above sequence this time starting on down foot to leave up foot in the air ready for the hey.

    Second Half Hey
    See 'HEY' above.

    Arm Movements
    For the hey and throughout the figures normal Ilmington arm movements as described above.

    Order of Dance

  • Face across set, come in with a jump and clash to face up the set
  • Foot Up and Across
  • Chorus (sticking, half hey, sticking, half hey)
  • Half Gyp
  • Chorus
  • Back to Back
  • Chorus
  • Cross and Turn
  • Chorus
  • Rounds
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    Constant Billy (stick)

    Chorus

    Sticking, half hey, sticking, half hey.

    Sticking
    Hold stick in the middle with right hand. While doing 7 single steps (starting right foot) strike tips and butts alternately each single step. Then land feet together while forcefully striking tips. Strike tips on the step and butts on the hop, placing emphasis on the step and tip strike.

    First Half Hey
    See 'HEY' above.

    Sticking
    Repeat as above starting right foot again.

    Second Half Hey
    See 'HEY' above.

    Arm Movements
    For the hey and throughout the figures normal Ilmington arm movements as described above.

    Order of Dance

  • Face across set, come in with a jump and clash to face across set
  • Foot Up and Foot Across
  • Chorus (sticking, half hey, sticking, half hey)
  • Half Gyp
  • Chorus
  • Back to Back
  • Chorus
  • Cross and Turn
  • Chorus
  • Rounds

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